{"id":2022,"date":"2025-05-26T08:43:34","date_gmt":"2025-05-26T06:43:34","guid":{"rendered":"https:\/\/nocallarem.org\/artista\/pari-banu\/"},"modified":"2025-07-20T18:34:19","modified_gmt":"2025-07-20T16:34:19","slug":"pari-banu","status":"publish","type":"artista","link":"https:\/\/nocallarem.org\/en\/artista\/pari-banu\/","title":{"rendered":"Pari Banu"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;Hind|700|||||||&#8221; header_text_color=&#8221;#000000&#8243; header_line_height=&#8221;1.2em&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1 style=\"text-align: left;\">Pari Banu<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; custom_padding=&#8221;10px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong data-start=\"140\" data-end=\"178\">The artist and performer Pari Banu<\/strong> understands her art as an exploration of identity in constant metamorphosis. She works primarily through the body and collage, using archival imagery\u2014both historical and personal\u2014as well as material drawn from art history, cinema, and the traditions of her native country, Azerbaijan.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<blockquote>\n<p>I\u2019ve always been intrigued by what it means to be a man or a woman. Isn\u2019t it possible, simply, to move beyond this duality?<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; module_class=&#8221;columna-flexible-foto&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; background_enable_image=&#8221;off&#8221; custom_css_free_form=&#8221;.columna-flexible-home {||    display: flex;||    flex-direction: column;||    justify-content: flex-start; \/* Mueve el contenido al final *\/||}&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_video src=&#8221;https:\/\/nocallarem.org\/wp-content\/uploads\/2025\/04\/pari-banu-opt.mp4&#8243; image_src=&#8221;https:\/\/nocallarem.org\/wp-content\/uploads\/2025\/01\/pari-banu-portada.webp&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"172\" data-end=\"444\">In her most recent works, she reflects on the historical construction of the female body through self-portraits as a trans woman, while also exploring the contradictions and feelings of loneliness, isolation, desire, and the search for safety drawn from her own biography.<\/p>\n<p><\/p>\n<p data-start=\"446\" data-end=\"514\">She has taken part in several exhibitions and programmes, including:<\/p>\n<p><\/p>\n<p data-start=\"516\" data-end=\"1082\"><strong data-start=\"516\" data-end=\"579\">I Might Be Staring at Infinity (or the Backs of My Eyelids)<\/strong> at ARTIM Project Space, organised by YARAT Contemporary Art Space in Baku (Azerbaijan), 2020.<br data-start=\"673\" data-end=\"676\" \/><strong data-start=\"676\" data-end=\"734\">Queer x Azerbaijan \u2013 My Body, My Identity, My Heritage<\/strong>, organised by Nafas LGBTI Azerbaijan Alliance, in Baku (Azerbaijan), 2021.<br data-start=\"809\" data-end=\"812\" \/><strong data-start=\"812\" data-end=\"832\">Queer Chronicles<\/strong> as part of <em data-start=\"844\" data-end=\"867\">Queering Common Space<\/em>, organised by POLIGONAL Office for Urban Communication, in Berlin (Germany), 2022.<br data-start=\"950\" data-end=\"953\" \/><strong data-start=\"953\" data-end=\"971\">Queer Runaways<\/strong>, organised by Not Human Collective in Aachen (Germany) and by YUGEN Collective Art in Tbilisi (Georgia), 2023.<\/p>\n<p><\/p>\n<p data-start=\"1084\" data-end=\"1284\">In recent years, many members of the LGBTIQ+ community have been forced to flee Azerbaijan, a country where rejecting normative male or female gender roles can lead to repression and social exclusion.<\/p>\n<p><\/p>\n<p data-start=\"1286\" data-end=\"1543\">After years of scorn and humiliation\u2014particularly from her own family\u2014<strong data-start=\"1356\" data-end=\"1369\">Pari Banu<\/strong> made the decision to leave her country, living in Georgia, Turkey and Russia before ultimately applying for political asylum in Spain, a process she is currently undergoing.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;20px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;Hind|700|||||||&#8221; header_text_color=&#8221;#000000&#8243; header_line_height=&#8221;1.2em&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: left;\">Mourning for Narcissus<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||20px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; custom_padding=&#8221;10px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"112\" data-end=\"290\">In this piece, <strong data-start=\"127\" data-end=\"140\">Pari Banu<\/strong> invites the audience to spy on their own reflection, evoking the strangeness of the encounter between the one who looks and the one who is looked at:<\/p>\n<p><\/p>\n<blockquote data-start=\"292\" data-end=\"619\">\n<p data-start=\"294\" data-end=\"619\"><em data-start=\"294\" data-end=\"619\">I would be a beautiful nymph on a mountain, where travellers passing through the forest might hear my cries. They would spy on me as I bathe in a stream, under the heat of the midday sun. I would reject all romantic advances and fall in love with my own reflection in a mirror\u2014as a memory of him\u2014pleasuring myself to death.<\/em><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;800,797,791,794&#8243; show_title_and_caption=&#8221;off&#8221; show_pagination=&#8221;off&#8221; zoom_icon_color=&#8221;#000000&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; box_shadow_style_image=&#8221;preset4&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_color_image=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"166\" data-end=\"429\"><strong data-start=\"166\" data-end=\"180\">A piece by<\/strong> Pari Banu Asgar (@an_wallflower)<br data-start=\"213\" data-end=\"216\" \/><strong data-start=\"216\" data-end=\"233\">Sound design:<\/strong> Pari Banu<br data-start=\"243\" data-end=\"246\" \/><strong data-start=\"246\" data-end=\"261\">Set design:<\/strong> Carlos Gallardo (@carlos_gallardo_hernandez) and Sergio Escalona<br data-start=\"326\" data-end=\"329\" \/><strong data-start=\"329\" data-end=\"348\" data-is-only-node=\"\">Costume design:<\/strong> Pari Banu and Carlos Gallardo<br data-start=\"378\" data-end=\"381\" \/><strong data-start=\"381\" data-end=\"397\">Photography:<\/strong> Gloria Solsona (@gloriasolsona)<\/p>\n<p><\/p>\n<p data-start=\"431\" data-end=\"726\"><strong data-start=\"431\" data-end=\"446\">Produced by<\/strong> the CCCB \u2013 Centre de Cultura Contempor\u00e0nia de Barcelona and NO CALLAREM.<br data-start=\"519\" data-end=\"522\" \/><em data-start=\"522\" data-end=\"541\">Duelo por Narciso<\/em> is a performance developed and produced within the framework of the <strong data-start=\"610\" data-end=\"639\">Barcelona Artists at Risk<\/strong> programme, a project co-organised by @nocallarem, @artistsatrisk, and @cccb_barcelona.<\/p>\n<p><\/p>\n<p data-start=\"728\" data-end=\"898\"><strong data-start=\"728\" data-end=\"751\">With the support of<\/strong> @culturagob, @dibacat, and @igualtatcat.<br data-start=\"792\" data-end=\"795\" \/><strong data-start=\"795\" data-end=\"820\">In collaboration with<\/strong> Festival Opening Frontiers, @lacibascg, @espaiperlapauscg, and @santakoigers.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;40px||40px||true|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#000000&#8243; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;&#8211;et_global_heading_font|700|||||||&#8221; header_text_color=&#8221;#000000&#8243; header_font_size=&#8221;56px&#8221; header_2_font=&#8221;Hind|700|||||||&#8221; header_2_text_color=&#8221;#000000&#8243; header_2_font_size=&#8221;50px&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: left;\">Subscribe to our newsletter<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>We&#8217;ll keep you up to date with all the activities, projects, and events we&#8217;re involved in. 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