{"id":2028,"date":"2025-03-01T11:03:53","date_gmt":"2025-03-01T10:03:53","guid":{"rendered":"https:\/\/nocallarem.org\/artista\/saixa-denissova\/"},"modified":"2025-07-20T18:42:25","modified_gmt":"2025-07-20T16:42:25","slug":"saixa-denissova","status":"publish","type":"artista","link":"https:\/\/nocallarem.org\/en\/artista\/saixa-denissova\/","title":{"rendered":"Saixa Den\u00edssova"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;Hind|700|||||||&#8221; header_text_color=&#8221;#000000&#8243; header_line_height=&#8221;1.2em&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1 style=\"text-align: left;\">Saixa Den\u00edssova<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; custom_padding=&#8221;10px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"145\" data-end=\"376\"><strong data-start=\"145\" data-end=\"163\">Sasha Denisova<\/strong> is a Ukrainian playwright and theatre director. With a career rooted in the defence of freedom of expression and human rights, her work has been profoundly shaped by the war in Ukraine and its human consequences.<\/p>\n<p><\/p>\n<p data-start=\"378\" data-end=\"555\">In 2022, together with actor <strong data-start=\"407\" data-end=\"427\">Aleksei Yudnikov<\/strong>, she was forced into exile following the Russian invasion, beginning a residency within the <strong data-start=\"520\" data-end=\"544\">Artists at Risk (AR)<\/strong> programme.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<blockquote>\n<p>This is where the journey into adolescence\u2014and into an entire life\u2014begins. Speaking about the war and wishing for victory.<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; module_class=&#8221;columna-flexible-foto&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; background_enable_image=&#8221;off&#8221; custom_css_free_form=&#8221;.columna-flexible-home {||    display: flex;||    flex-direction: column;||    justify-content: flex-start; \/* Mueve el contenido al final *\/||}&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_video src=&#8221;https:\/\/nocallarem.org\/wp-content\/uploads\/2025\/06\/sasha-denissova-opt.mp4&#8243; image_src=&#8221;https:\/\/nocallarem.org\/wp-content\/uploads\/2025\/06\/saixa-denissova-video.webp&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;20px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;Hind|700|||||||&#8221; header_text_color=&#8221;#000000&#8243; header_line_height=&#8221;1.2em&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: left;\">Ma mare i la invasi\u00f3 total<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||20px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; custom_padding=&#8221;10px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"137\" data-end=\"531\">During her stay, <strong data-start=\"154\" data-end=\"166\">Denisova<\/strong> wrote and directed <em data-start=\"186\" data-end=\"220\">My Mother and the Total Invasion<\/em>, a powerful play based on the real-life experience of her mother, who chose to remain in Kyiv despite the bombings. The work premiered at the <strong data-start=\"363\" data-end=\"371\">CCCB<\/strong> and was later presented in <strong data-start=\"399\" data-end=\"407\">Reus<\/strong> and <strong data-start=\"412\" data-end=\"440\">Santa Coloma de Gramenet<\/strong>, becoming a brave and moving artistic denunciation of everyday resistance in times of war.<\/p>\n<p><\/p>\n<p data-start=\"533\" data-end=\"883\">With a lucid and deeply committed theatrical voice, Denisova conceives theatre as a tool for memory and resistance, from a feminist and radically human perspective. Her residency in <strong data-start=\"715\" data-end=\"728\">Barcelona<\/strong> has been not only a creative refuge, but also a platform from which to continue raising her voice on behalf of all those who are persecuted for their art.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/nocallarem.org\/wp-content\/uploads\/2025\/06\/ma-mare-i-la-invasio-total.webp&#8221; title_text=&#8221;ma-mare-i-la-invasio-total&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"137\" data-end=\"559\"><strong data-start=\"137\" data-end=\"165\">Playwright and Director:<\/strong> Sasha Denisova<br data-start=\"180\" data-end=\"183\" \/><strong data-start=\"183\" data-end=\"197\">Performer:<\/strong> Aleksei Yudnikov<br data-start=\"214\" data-end=\"217\" \/><strong data-start=\"217\" data-end=\"234\">Choreography:<\/strong> Konstantin Chelkaev<br data-start=\"254\" data-end=\"257\" data-is-only-node=\"\" \/><strong data-start=\"257\" data-end=\"277\">Lighting Design:<\/strong> Juli\u00e1n Hill<br data-start=\"289\" data-end=\"292\" \/><strong data-start=\"292\" data-end=\"309\">Sound Design:<\/strong> Sasha Denisova<br data-start=\"324\" data-end=\"327\" \/><strong data-start=\"327\" data-end=\"346\">Costume Design:<\/strong> Sasha Denisova and Aleksei Yudnikov<br data-start=\"382\" data-end=\"385\" \/><strong data-start=\"385\" data-end=\"420\">Lighting and Sound Technicians:<\/strong> Juli\u00e1n Hill and Berta P\u00e9rez<br data-start=\"448\" data-end=\"451\" \/><strong data-start=\"451\" data-end=\"476\">Audiovisual Creation:<\/strong> Andr\u00e9 Robert<br data-start=\"489\" data-end=\"492\" \/><strong data-start=\"492\" data-end=\"513\">Text Translation:<\/strong> Miquel Cabal<br data-start=\"526\" data-end=\"529\" \/><strong data-start=\"529\" data-end=\"544\">Subtitling:<\/strong> 36caracteres<\/p>\n<p><\/p>\n<p data-start=\"561\" data-end=\"822\"><strong data-start=\"561\" data-end=\"576\">Produced by<\/strong> CCCB \u2013 Centre de Cultura Contempor\u00e0nia de Barcelona and <strong data-start=\"633\" data-end=\"688\">NO CALLAREM \u2013 Barcelona Artists at Risk Residencies<\/strong>.<br data-start=\"689\" data-end=\"692\" \/><strong data-start=\"692\" data-end=\"715\">With the support of<\/strong> the CCCB technical team.<br data-start=\"740\" data-end=\"743\" \/><strong data-start=\"743\" data-end=\"786\" data-is-only-node=\"\">Project developed during a residency at<\/strong> Fabra i Coats \u2013 F\u00e0brica de Creaci\u00f3.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; 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