[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_font=”Hind|700|||||||” header_text_color=”#000000″ header_line_height=”1.2em” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”–et_global_heading_font||||||||” custom_padding=”10px||||false|false” global_colors_info=”{}”]<\/p>\n
Born in Tehran in 1976, Ghaffari began his career with a series of short films, some of which won awards at Iranian festivals. His first feature film, It’s a Dream<\/strong> (2012), premiered in Nantes (Spain) and won the Talent Award at the Freiburg Film Festival (Germany). With Hair<\/strong> (2016), he explored the lives of deaf female athletes in Iran. His short film Deer<\/strong> (2021) was recognized as Best Short Film at the Berlinale.<\/p>\n <\/p>\n He has worked with such renowned filmmakers as Abbas Kiarostami<\/strong> and Asghar Farhadi<\/strong>.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ module_class=”columna-flexible-foto” _builder_version=”4.27.4″ _module_preset=”default” background_enable_color=”off” background_enable_image=”off” custom_css_free_form=”.columna-flexible-home {|| display: flex;|| flex-direction: column;|| justify-content: flex-start; \/* Mueve el contenido al final *\/||}” global_colors_info=”{}”][et_pb_image src=”https:\/\/nocallarem.org\/wp-content\/uploads\/2025\/04\/mahmoud-ghaffari-portada.jpg” alt=”Mahmoud Ghaffari at CIBA in Santa Coloma de Gramanet in Barcelona” title_text=”mahmoud-ghaffari-portada” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”20px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_font=”Hind|700|||||||” header_text_color=”#000000″ header_line_height=”1.2em” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||20px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”–et_global_heading_font||||||||” custom_padding=”10px||||false|false” global_colors_info=”{}”]<\/p>\n The Day of the Apple<\/strong>\u00a0is an intimate and deeply symbolic portrait of women\u2019s everyday lives in Iran. Directed by\u00a0Mahmoud Ghaffari<\/strong>\u00a0and written by\u00a0Mahnaz Jarchi<\/strong>, the film was selected for the\u00a0Generation Kplus<\/strong>\u00a0section at the\u00a02022 Berlinale<\/strong>, where it captivated international audiences with its sensitivity and poetic power.<\/p>\n <\/p>\n <\/p>\n <\/p>\n Told through a restrained and profoundly human lens, the film depicts an apparently ordinary day that becomes a powerful metaphor for structural oppression and the quiet resilience of Iranian women. With a minimalist aesthetic and contemplative rhythm, Jarchi crafts a work that subtly denounces the restrictions imposed on female bodies and desires.<\/p>\n <\/p>\n <\/p>\n <\/p>\n As part of the residency, the film was screened at the\u00a0CCCB<\/strong>, followed by a discussion that opened a space for reflection on cinema, human rights, and freedom of expression.\u00a0The Day of the Apple<\/em>\u00a0thus stands as a vital piece of contemporary resistance cinema, whose aesthetic and ethical honesty places it firmly within the landscape of politically engaged international film.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=lo9Tswys4So” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”–et_global_heading_font||||||||” global_colors_info=”{}”]<\/p>\n Original title:<\/strong>\u00a0Rooz-e Sib<\/em>\u00a0(The Apple Day<\/em>) [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Film director and editor<\/p>\n","protected":false},"author":1,"featured_media":2133,"parent":0,"template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[],"class_list":["post-2144","artista","type-artista","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nThe day of the Apple<\/h2>\n
Year:<\/strong>\u00a02022
Director:<\/strong>\u00a0Mahmoud Ghaffari
Screenplay:<\/strong>\u00a0Mahnaz Jarchi
Cinematography:<\/strong>\u00a0Ali Ehsani
Editing:<\/strong>\u00a0Mahmoud Ghaffari
Music:<\/strong>\u00a0Ali Mansour<\/p>\n